All the oil paintings of Fra Bartolommeo

HOME

BACK

ID	Image	Painting(From A to Z)	Details
42651		altar piece of Carondelet	MK169 ca. 1511 Panel 255x229cm
21295		Annunciation (mk08)	c.1500 Oil tempera on wood 20x10cm Florence,Galleria degli Uffizi
42992		Detail of The Virgin Adoring the Child with Saint Joseph	mk170
62381		Europa and the Bull	1470-90 Bronze, height: 22 cm Museo Nazionale del Bargello, Florence Bellano, a sculptor from Padua was an assistant to Donatello when the old master worked on the pulpits of San Lorenzo in Florence. The statuette depicting Europa and the Bull was executed in Padua. The small bronze statuette reflects a naturalistic style heavily tempered in spirit by Donatello's classicism. Author: BELLANO, Bartolommeo Title: Europa and the Bull , 1451-1500 , Italian Form: sculpture , mythological
33260		Portrait of Girolamo Savonarola	mk83 c.1498 oil on wood 53x47cm
26		Resurrected Christ with Saints	1516 Palazzo Pitti, Florence
20153		The Annunciation with Saints Margaret Mary Magdalen Paul John the Baptist Jerome and Francis (mk05)	Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530
10718		The Holy Family with the Infant St. John in a Landscape	John in a Landscape
20157		The Mystic Marriage of st Catherine of Siena,with Eight Saints (mk05)	1511 Wood,101 1/4 x 90\'\'(257 x 228 cm)From the Collegiate Church in Autun;entered the Louvre in 1800 Inv
42993		The Virgin Adoring the Child with Saint Joseph	mk170 Circa 1510 Oil on wood 137.8x104.8cm
44889		Vision of St.Bernard	mk176 213.3x213.9cm

Fra Bartolommeo
Italian c1474-c1517 Fra Bartolommeo Location Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.